Coming next week

Posted on | 3/4/11 | No Comments

Just checking in to let you all know that I will be one of Pepon personal helpers assisting with set up on Monday 14 and Tuesday 15 from 9-5pm. :D & I will be taking a few days off here because I am also preparing to fly from Albuquerque to Puerto Rico on Wednesday the 16 so I'm taking this next week to get as much work done as I can.

I will, however, have a ton of new articles, how-tos and reviews for you next week. I'm working on about 30 articles for the blog right now that I will be adding periodically so expect some new content soon.

Sorry about the wait regarding artist of the week. Josue is busy with his band "Ser.es" but as soon as he answers the interview questions I will post them here. In the meantime I am preparing 2 more artist of the week specials. One will be about a carver named Scott Garcia and the other is El Moises.

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516arts show update

Posted on | 2/7/11 | No Comments

I contacted Rhiannon Mercer, the assistant director of 516arts and told her of my interest in helping to set up this show and specifically with Pepon if possible. She is making up the schedule today and I will definitely be participating with set up in some way although I don't yet know if I will meet or work with Pepon personally. I will try to get some kind of interview with him if at all possible. Excuse my fan girl behavior but I'm super excited :D
I will keep you all informed of everything that happens. Here is some of Pepon's art for you to enjoy in the mean time.

Image of Amalia Mesa-Bains piece for the show from 516arts website

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Pepon Osorio at 516arts in Albuquerque, New Mexico Feb.19th - May 14 2011. OMG!

Posted on | 2/6/11 | No Comments

So, through a fluke of fate or luck or gods know what, I entered the wrong search parameters into google when finding links for my last post and randomly discovered something amaaaazing. The local gallery I love/hate and volunteered at is participating in "Latina/o Visual Imaginary: Intersection of Word & Image" a show running from February to May as part of the "East Coast/Southwest—Latino Literary Imagination: Narrative Voices and the Spoken Word" biregional conferance. By some vile quirk of fate this show opens just 2 days after I leave Albuquerque forever to return to Puerto Rico, before moving to China. This sucks, to put it lightly and has got me a bit down. I cut ties with this gallery in disgust with some of the IMO crappy shows they were doing about a year ago and boy am I regretting it now. I am trying to suck up to a few pertinent people to see if there is any way I can help with the installation this but I'm not counting on it. I will let you know if I manage to participate though and will try to get an interview with Pepon Osorio if possible!


If you want to learn more, go here for more information. I can guarantee you that this show will be excellent so you should definitely go in my place! Let me know if you attend and gimme all the details!

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Concept art: is it really that lame??

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Whos Afraid: of Conceptual Art?
 Today’s musing is going to be about concept art. I know many people outside the art world do not see the value of concept as art but I am absolutely convinced that art is no more than a pretty image without an “idea” behind it. So today I am going to tell about how I met Pepon Osorio (with no clue of how important he was) and fell in love with installations and concept art.

Once upon a time after I had been studying poetry writing at the UPR for a few years I randomly found a flier advertising the opening of the new art building. There would be a workshop on installation building with Pepon Osorio. I decided to go and met a hyper active, grouchy, bossy older man (Osorio) who was constantly shouting. It was more an assistantship than a workshop but I did learn quite a bit. We started with conceptualization and the idea that the piece should be silver. We used recycled materials and built a large chandelier type thing and covered rocks in tin foil. This was the point where I began to realize that anything and everything could be art. It was also where I learned about the art school I eventually attended. I did not enjoy the experience at the time and have only recently come to understand how valuable the experience was and to what extent it shaped my view of art.

I think (this is purely my view and probably not shared by other artists) that conceptualization and intent is an essential part of any art piece. But when it comes to concept art, the idea is everything. The physical aspect of the piece can be anything but without that idea (usually expressed in the choice of name) the piece is meaningless and IMO, without any value. The thing I absolutely hate about concept art is that it has become an excuse to show crappy, half assed work with no thinking behind it. The industry seems willing to accept anything under the term “concept art” without analysis or thought and this, to me, is immensely stupid. The whole POINT of concept art is to make you think, analyze, question, justify, rationalize and even argue about the art. It is not to write a 7 page rationalization or justification of your crappy piece. If I can not find a meaning in a piece with the name, observing it and reading the same short blurb any other piece would get, well, the piece was probably not very well conceptualized and it isn’t clear. I mean, we don’t all have to come to the same conclusion or perspective but we should all be able to come to A conclusion or perspective without reading some long rationalization.

After the workshop with Pepon (Textos Entretejidos: Instalacion/Perfomance/Memoria 2004) I did some research on him and learned a bit more about his work. He is an installation artist who makes surprisingly complex pieces and got his start as a social worker. I think this background gives his work an emotional depth that I haven’t seen in other work. His work centers on the family, politics and culture and IMO communicates emotions rather powerfully.

As for specific concept pieces that I find effective, I thought I’d bring up Hirst since I have been researching him for another post. In general I find Hirst work to be very over rated and overpriced but I did come across one piece of his that I liked and a deconstruction of one of his pieces by another artist. “A Thousand Years,” Hirst’s piece in which generations of flies are born and die while consuming rotting meat in an enclosed glass box. The concept is of life and death is one that has always interested me and along with the short, meaningful name, I think it is a perfect example of a well thought out piece of concept art. It is engaging and absolutely commands a response of some kind from the viewer.  The other piece that I was amused by was “Black Sheep” the deconstruction by Mark Bridger of Hirst’s “Away from the Flock” in which Bridger poured black into the formaldehyde tank containing a sheep. I found Bridger’s deconstruction to be more thoughtful and clever than Hirst’s original piece.

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To art school or not to art school: the value debate

Posted on | 1/23/11 | No Comments

Creative Colleges: A Guide for Student Actors, Artists, Dancers, Musicians and Writers Selling Art to the Community, Or Applying the Principles of Publicity to the Department of School Art

In the spirit of disclosure I must admit that I did go to art school although my path to it was rather random. I first encountered art in elementary school, when I lived in the United States. My teacher Melanie Megyassi, thought I was brilliant at a time when my other teachers seriously thought that I might be mentally retarded. Thanks to her, I participated in dozens of children's competitions and won quite a few of them.  In seventh grade I moved to Puerto Rico and the arts are not a normal part of the average student’s education there. I did not have another art class until I was in eleventh grade and in time, I forgot much of my love for art. I went to college to study English language, in hopes of becoming a poet, and it was there that I rediscovered my love of art. I participated in an installation creation workshop given by Pepon Osorio, an interesting artist, but who seemed like kind of a jerk. The experience did give me back the feeling of infinite potential that I had lost.

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