Pepon Osorio at 516arts in Albuquerque, New Mexico Feb.19th - May 14 2011. OMG!

Posted on | 2/6/11 | No Comments

So, through a fluke of fate or luck or gods know what, I entered the wrong search parameters into google when finding links for my last post and randomly discovered something amaaaazing. The local gallery I love/hate and volunteered at is participating in "Latina/o Visual Imaginary: Intersection of Word & Image" a show running from February to May as part of the "East Coast/Southwest—Latino Literary Imagination: Narrative Voices and the Spoken Word" biregional conferance. By some vile quirk of fate this show opens just 2 days after I leave Albuquerque forever to return to Puerto Rico, before moving to China. This sucks, to put it lightly and has got me a bit down. I cut ties with this gallery in disgust with some of the IMO crappy shows they were doing about a year ago and boy am I regretting it now. I am trying to suck up to a few pertinent people to see if there is any way I can help with the installation this but I'm not counting on it. I will let you know if I manage to participate though and will try to get an interview with Pepon Osorio if possible!


If you want to learn more, go here for more information. I can guarantee you that this show will be excellent so you should definitely go in my place! Let me know if you attend and gimme all the details!

How the way people speak of art shows arts role in culture

Posted on | 2/4/11 | No Comments

Graffiti World Updated Edition: Street Art from Five ContinentsI have recently been reading a lot more art news in an attempt to make better posts here on Vagary Art. During some of this reading I came across something that interested me greatly. In a regular newspaper, not an art magazine or art blog, I came across the description of a recent art show in which the artist is described as “creating a dialogue (with the public)” (traer un dialogo). This struck me since it is a phrasing and concept I have never come across when reading English daily newspapers or even in regional art newspaper (although it does come up in arts magazines).  Essentially the idea behind this phrasing is communicating to the common people, not the high art world, that they have a role to play in art. By viewing a piece, they are participating in a “conversation” with the artist or creating a discourse. This concept accepts the influence of viewers on art, a piece of art on other art and society in general while it invites the viewer to respond in turn instead of simply viewing the piece in a vacuum.